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Motiv zada kak cast' parodijnogo koda i priema dekonstrukcii
Burkhart, Dagmar
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Document Type:
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Article
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Year of publication:
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1999
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The title of a journal, publication series:
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Kodovi slovenskih kultura = Kody slavjanskich kul'tur
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Volume:
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4
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Page range:
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168-193
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Place of publication:
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Beograd
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Publishing house:
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Clio
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ISSN:
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0354–964X
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Publication language:
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Russian
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Institution:
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School of Humanities > Slav Phil u Literaturwiss (N.N.)
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Subject:
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890 Other literatures
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Abstract:
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What all three types of Russian somatic texts discussed in this paper have in common is that for the purposes of parody they:
- desecrate the sacral pattern of discourse (Lubok and folly literature),
- decanonise the canonised pattern of discourse (futurist poetry) and
- deconstruct the conventional, totalitarian pattern of discourse (postmodern texts in the style of Sorokin).
As thereby the sublime is always debased, the semantic axiological oppositions sacred/profane, top/below, mythical/stripped of the mythical aura, canonised/decanonised, serious/ridiculous, heroic/stripped of the heroic aura, beautiful/ugly-monstrous, harmonious-ideal/disharmonious, peaceful/violent and conscious/unconscious become clearly marked, which should be recognised as a metapoetic technique and actualised by the ideal recipent. As has been shown, the motif BACK/BELOW, related to the bottom, is of great significance in this process.
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Translation of the title:
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The Motif of the Bottom as a Part of the Parodic Code
(English)
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 | Dieser Eintrag ist Teil der Universitätsbibliographie. |
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